The Fourth Pentacle of Venus
It is of great power, since it compels the Spirits of Venus to obey, and to force on the instant any person thou wishest to come unto thee.
The Key of Solomon is the best known of the Renaissance grimoires, surviving in dozens of manuscripts in Latin, French, Italian and Hebrew. Mathers made his 1889 edition from seven manuscripts in the British Museum, and it is his plates that every later reproduction of these pentacles descends from.
The Key of Solomon the King (Clavicula Salomonis), translated and edited by S. Liddell MacGregor Mathers (London: George Redway, 1889). The text and the pentacles are in the public domain.
The pentacle is traced from the plate in the De Laurence edition of 1914 (Chicago: De Laurence, Scott & Co.), which reprints Mathers' plates at a larger size, and checked line for line against the 1889 printing.
Mathers' note: At the four Angles of the Figure are the four letters of the Name IHVH. The other letters form the Names of Spirits of Venus, e.g.:—Schii, Eli, Ayib, &c. The versicle is from Genesis ii, 23, 24:— “This is bone of my bones, and flesh of my flesh, And they two were one flesh.”